Lorna Zemke: What a Sister!

Deborah Jeter
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I won't forget the first time I met Sister Lorna Zemke. Having been raised in a protestant household, it was the first time I'd gotten a good, "close-up" look at a real live Sister. For one thing, she wasn't at all what I thought a Sister would be. She was childlike but spoke with such wisdom. She was cheerful and energetic and a lot of fun. Ever since I met Sister Lorna Zemke, my life was changed. I searched the Net for information about her. I thought surely someone who had such an impact on me would be on the Internet. :-) But I searched to no avail. Hence, that is what drove me into writing this editorial about the "Queen" of music education. Now mind you, she would probably not prefer that I refer to her that way, but to me, she was an "angel" of an educator! She uses the tools provided through the Kodaly Method to teach like no one I've ever seen. In case you aren't familiar with Kodaly, have a look at my music homepage and you'll probably see why it has become the predominant force of teaching music to my students. I was amazed with the results in the growth of my students' musicianship after having applied this wonderful way of presenting music concepts. In this article, I will share with you some of her thoughts from the notes that I took while in one of her workshops nearly twenty years ago.

    She began by saying that the Kodaly Method is a concept and philosophy.
  • Music is spiritual food.
  • The child needs to grow with his own heritage folk material.
  • Education means "to lead out" not to "pour in".
  • The Kodaly Method is child developmental not subject developmental.
  • It is a true discovering of what is already within the child.
  • The most personal thing we have is our voice.
  • We are to teach children, NOT lesson plans.
  • NEVER call a child a monotone. Be careful about our comments on voices.
    Each concept presented is in sequence. The preparation time is to be used in preparing the child to receive. It could take 2 minutes, 2 hours, 2 days or 2 weeks. We set their attention during this period. Then the presentation takes place. The essence of the lesson shouldn't last any longer than 5 minutes. Then we practice, practice, practice. Practicing doesn't consist of doing the same thing over and over, but rather doing the same thing a hundred different ways. BE CREATIVELY REDUNDANT.

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Here's the follow-up discussion on this article: View all related messages

4.   June 22, 1997 9:40 PM
Dan, what you shared brought to mind that humor is often lost in the classroom, due to the negative impression that many have towards education.

A comment made by Lorna Zemke is as follows:

Edu ...


-- posted by Deborah_Jeter


3.   June 22, 1997 8:07 PM
I wonder about teaching humor. Both the concept of creative redundance and the entire article are percolating in the back of my mind now for something few consider possible - a course on humor. I do ...

-- posted by Dan_Ellsworth


2.   June 22, 1997 11:17 AM
Hi, Thomas! Thanks for the comments on creative redundancy. :-) Very good suggestions and quite funny too. Creativity is the key to educating in any field and that is why networking with other clever ...

-- posted by Deborah_Jeter


1.   June 22, 1997 11:08 AM
ON CREATIVE REDUNDANCE

A comment often made about preschoolers is, "There is only so much you can do with preschoolers. They have such a limited attention span!"

That is because most people don ...


-- posted by ThomasR





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